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I told a couple of people on my mailing list that
I was interviewing you and about 10 people had the same
question, so I will start with that question. Needlz-How
did you hook up with 50 Cent?
Needlz- Well, I'm
pretty much the cat that's in the studio all the time.
My manager she's the one that goes around and shops my
music. I've met him a couple of times. It wasn't like
I was in the studio with him. They heard the beat, they
called, and we gave them the track.
Have you worked with any other G-Unit artists…or well
submitted tracks to them?
Needlz-Yeah. Before
I worked with 50 I did something on the G-Unit album which
was 50, Buck and Banks. Then after that I did Young Bucks
first single "Let Me In," along with another one on his
album "Bang Bang." When Game was in G-Unit I did a song
on Game's album called "Special." That's been it so far
and the two joints on 50's. I'm hoping to work with them
some more.
I know you mentioned your manager shopping your tracks.
Do you ever get in the studio with artists?
Needlz-Yeah. Mostly
newer artists and stuff like that I'm in the studio with;
collabin' with. It's the nature of the biz sometimes.
The nature of the production game is kinda like unless
you are Timbaland, The Neptunes or something like that
most times the artists take the beat, do what they want
to do with it, and call you when its done or something.
I read in the bio that you went to college in Florida
and pursed your masters degree at NYU. Did you finish
the masters?
Needlz- Definitely.
So you have a masters degree?
Needlz-Yep, I got
a masters degree, it's in music business.
That's really good. I mean I do too. I was just wondering,
well people think of people in the hip-hop industry as
being a certain way and there are a lot of stereotypes.
Are people often surprised when they find out you have
a masters degree?
Needlz-Yeah. I
mean I think so. I don't know. To me it was just a part
of paying dues as far as getting in the industry. If I
didn't come up here and go to school and meet the people
I met and stuff like that I don't think I would be where
I am. Basically, it's just a part of paying dues. Both
of my parents are educators, actually all of my brothers
have masters and my one brother is about to get his doctorate.
I also read you had an internship at Bad Boy. What did
you do during your internship there?
Needlz-Got coffee,
went to McDonalds did little small stupid stuff like most
interns do at first. I wasn't feeling it at the time obviously.
It just made me realize that I went to school thinking
I was going to be on the business side and behind a desk
or whatever but I found out at the end that I didn't want
to do that either, there is a lot of ass kissing and stuff
like that. I did it and I met some people there that helped
me out. I can't complain. I think everything that I've
done has kind of put me to where I am right now.
Speaking of meeting people, I have all of these websites
online and I always come across people who are producers
or rappers and they always want me to listen to their
stuff and I try to tell them "I'm just a writer I can't
help you." How did you get your music heard by the right
people?
Needlz-It goes back
to my manager. Her name Folayn Knight. I met her. At the
time she was A&R at Def Jam. She was the A&R of Method
Man, Redman and DMX. Through her connections and a little
bit of hustle work on my end we just met the right people.
It's really no one way to do it. I can't say why it happened.
So you would suggest to them to maybe get a manager; someone
who maybe is in the industry and can get your music heard
by the right people?
Needlz- Definitely.
It's really important whose walking your stuff in as well.
You may get a manager that nobody likes in the industry.
Just because he knows everybody nobody might not like
him, or her. You definitely got to get somebody that can
get your stuff into the managers hand if not the artist
themselves.
I read that you have some songs that are going to be
featured on the 50 Cent game Bulletproof. Are those songs
you already did in the past?
Needlz-Yeah I think
"Piggybank" is going to be on there.
I read you are from Lansing Michigan. Growing up in Michigan
were you always into music?
Needlz-Yeah I started
out as a DJ. My father by being an educator he was really
into jazz and blues and he had tons of records downstairs.
I grew up with music always being around but I never really
wanted to pursue it like that until I saw the movie
Juice. I thought that dude was cool. I thought GQ
was cool. I said, "Hey let me try this deejaying stuff."
I started deejaying. I dejayed everything, high school
functions. I won homecoming king and I had to DJ the party.
Like I was on the radio at Michigan State and from there
I went to Florida. I had to kind of adapt my music, the
selections, to what was going on in Florida. I did that
all the way until 99' and from there I picked up the producing
stuff.
I know there are a lot of producers who have crossed
over into being artists. Have you ever considered being
an artist?
Needlz-Yeah I
mean, I get frustrated. Sometimes I don't like the songs
people do over my beats. Sometimes I want to do what I
want to do. I have flirted with the idea, maybe one day
I'll do it. Right now I'm just trying to get established
on the production tip.
What are you going to be doing for the rest of the
fall?
Needlz- I'm about
to move into a house. Still doing the music stuff. About
to get another artist and try to get them signed, just
keep grinding, same old thing.
Are you going to build a studio in your house?
Needlz-Yeah. I'mma
have a little personal studio, nothing big, just something
for me to be able to go downstairs and work when I feel
the need, when I feel the itch.
You can find out more about Needlz at www.tygereye.net/needlz
Needlz
interview copyright Dorrie Williams-Wheeler, and Thabiz.com
2005
Dorrie Williams-Wheeler is the author of Be
My Sorority Sister Under Pressure and the Unplanned
Pregnancy Book for Teens and College Students. She
is the founder of Thabiz.com
and Imissthe80s.com
and writes for the Rap,
Teen, and 1980s
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Ne-Yo interview may not be reprinted, copied or distributed.
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Interview copyright Dorrie Williams-Wheeler, thabiz.com
October 2005. |